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  • ISBN-10 ‏ : ‎ 0134082265
  • ISBN-13 ‏ : ‎ 978-0134082264
  • Author:  Henry M. Sayre

A World of Art fosters the critical thinking and visual literacy skills students need to understand art from around the globe. Noted author and educator Henry Sayre teaches students how to ask the right questions about the visual world that surrounds us, and to then respond meaningfully to the complexity of that world. New to the eighth edition, seven thematic chapters help students better identify and understand major themes of art—such as “the cycle of life” and “the body, gender, and identity”—that transcend different eras and regions.

 

Table of Content:

  1. Group 1 The Visual World
  2. Chapter 1 Discovering a World of Art
  3. Learning Objectives
  4. The World as We Perceive It
  5. The Process of Seeing
  6. Active Seeing
  7. The World as Artists See It
  8. The Creative Process
  9. Art and the Idea of Beauty
  10. Roles of the Artist
  11. 1) Artists Make a Visual Record of the People, Places, and Events of their Time and Place
  12. 2) Artists Help Us to See the World in New or Innovative Ways
  13. 3) Artists Make Functional Objects and Structures (Buildings) More Pleasurable and Elevate Them or Imbue Them with Meaning
  14. 4) Artists Give Form to the Immaterial— Hidden or Universal Truths, Spiritual Forces, Personal Feelings
  15. Seeing the Value in Art
  16. Artistic Value and the “Culture Wars”
  17. The Avant-Garde and Public Opinion
  18. Political Visions
  19. Thinking Back
  20. Chapter 2 Developing Visual Literacy
  21. Learning Objectives
  22. Words and Images
  23. Representation and Abstraction
  24. Form and Meaning
  25. Convention, Symbols, and Interpretation
  26. Thinking Back
  27. Group 2 The Formal Elements and Their Design
  28. Chapter 3 Line
  29. Learning Objectives
  30. Varieties of Line
  31. Outline and Contour Line
  32. Implied Line
  33. Qualities of Line
  34. Expressive Qualities of Line
  35. Line Orientation
  36. Thinking Back
  37. Chapter 4 Shape and Space
  38. Learning Objectives
  39. Shape and Mass
  40. Negative Space
  41. Representing Three-Dimensional Space in Two Dimensions
  42. Linear Perspective
  43. Distortions of Space and Foreshortening
  44. The Near and the Far
  45. Modern Experiments and New Dimensions
  46. Experiments in Photographic Space
  47. Experiments with Space in Painting
  48. Digital Space
  49. Thinking Back
  50. Chapter 5 Light and Color
  51. Learning Objectives
  52. Light
  53. Atmospheric Perspective
  54. Value: From Light to Dark
  55. Chiaroscuro and Modeling
  56. Hatching and Cross-Hatching
  57. Contrast: Light and Dark
  58. Color
  59. Basic Color Vocabulary
  60. Color Schemes
  61. Representational and Symbolic Uses of Color
  62. Symbolic Color
  63. Thinking Back
  64. Chapter 6 Texture, Time, and Motion
  65. Learning Objectives
  66. Texture
  67. Actual Texture
  68. Visual Texture
  69. Time and Motion
  70. Narratives in Art
  71. Seeing Over Time
  72. The Illusion of Movement
  73. Time-Based Media
  74. Thinking Back
  75. Chapter 7 The Principles of Design
  76. Learning Objectives
  77. Balance
  78. Symmetrical Balance
  79. Asymmetrical Balance
  80. Radial Balance
  81. Emphasis and Focal Point
  82. Scale and Proportion
  83. Pattern, Repetition, and Rhythm
  84. Unity and Variety
  85. Thinking Back
  86. Group 3 The Fine Arts Media
  87. Chapter 8 Drawing
  88. Learning Objectives
  89. From Preparatory Sketch to Finished Work of Art
  90. Drawing Materials
  91. Dry Media
  92. Liquid Media
  93. Innovative Drawing Media
  94. Thinking Back
  95. Chapter 9 Painting
  96. Learning Objectives
  97. Early Painting Media
  98. Encaustic
  99. Fresco
  100. Tempera
  101. Oil Painting
  102. Watercolor and Gouache
  103. Synthetic Media
  104. Mixed Media
  105. Collage and Photomontage
  106. Painting beyond the Frame
  107. Thinking Back
  108. Chapter 10 Printmaking
  109. Learning Objectives
  110. The Print and Its Earliest Uses
  111. Relief Processes
  112. Woodcut
  113. Wood Engraving
  114. Linocut
  115. Intaglio Processes
  116. Engraving
  117. Etching
  118. Drypoint
  119. Mezzotint and Aquatint
  120. Lithography
  121. Silkscreen Printing
  122. Monotypes
  123. Thinking Back
  124. Chapter 11Photography and Time-Based Media
  125. Learning Objectives
  126. The Early History and Formal Foundations of Photography
  127. Early History
  128. Form and Content
  129. The Photographic Print and Its Manipulation
  130. Color and Digital Photography
  131. Film
  132. The Popular Cinema
  133. Video Art
  134. The Computer and New Media
  135. Thinking Back
  136. Chapter 12 Sculpture
  137. Learning Objectives
  138. The Three Forms of Sculptural Space
  139. Relief
  140. Sculpture In-the-Round
  141. Environments
  142. Carving
  143. Modeling
  144. Casting
  145. Assemblage
  146. Installations and Earthworks
  147. Installations
  148. Earthworks
  149. Art Parks
  150. Performance Art as Living Sculpture
  151. Thinking Back
  152. Chapter 13 The Craft Media
  153. Learning Objectives
  154. The Crafts as Fine Art
  155. Ceramics
  156. Slab Construction
  157. Coiling
  158. The Potter’s Wheel
  159. Porcelain
  160. Glass
  161. Fiber
  162. Metal
  163. Wood
  164. Thinking Back
  165. Chapter 14 Architecture
  166. Learning Objectives
  167. Environment
  168. The Impact of Climate
  169. “Green” Architecture
  170. Early Architectural Technologies
  171. Load-Bearing Construction
  172. Post-and-Lintel Construction
  173. Arches, Vaults, and Domes
  174. Modern and Contemporary Architectural Technologies
  175. Cast-Iron Construction
  176. Frame Construction
  177. Steel-and-Reinforced-Concrete Construction
  178. Community Life
  179. Suburbia
  180. Infrastructure
  181. Thinking Back
  182. Chapter 15 The Design Profession
  183. Learning Objectives
  184. The Rise of Design in the Nineteenth Century
  185. The Arts and Crafts Movement
  186. Art Nouveau
  187. Design in the Modernist Era
  188. The Modern Avant-Gardes and Design
  189. The Bauhaus
  190. Streamlining and Organic Design, 1930–60
  191. Design Since 1980
  192. Thinking Back
  193. Group 4 The Visual Record
  194. Chapter 16 The Ancient World
  195. Learning Objectives
  196. The Earliest Art
  197. Mesopotamian Cultures
  198. Egyptian Civilization
  199. River Valley Societies in India and China
  200. Complex Societies in the Americas
  201. Aegean and Greek Civilizations
  202. Aegean Cultures
  203. Greek Civilization
  204. The Roman World
  205. Developments in Asia
  206. Thinking Back
  207. Chapter 17 The Age of Faith
  208. Learning Objectives
  209. Early Christian and Byzantine Art
  210. The Rise of Islam
  211. Christian Art in Europe
  212. Carolingian Art
  213. Romanesque Art
  214. Gothic Art
  215. Developments in Asia
  216. India
  217. China
  218. Japan
  219. The Cultures of Africa
  220. Thinking Back
  221. Chapter 18 The Renaissance through the Baroque
  222. Learning Objectives
  223. The Renaissance
  224. The Early Renaissance
  225. The High Renaissance
  226. The Era of Encounter
  227. Art in China and Japan
  228. Art in Mexico and South America
  229. African Art of the Encounter
  230. The Mannerist Style in Europe
  231. The Baroque
  232. Thinking Back
  233. Chapter 19 The Eighteenth and Nineteenth Centuries
  234. Learning Objectives
  235. The Early Eighteenth Century
  236. Poussin versus Rubens
  237. The Rococo
  238. Cross-Cultural Contact: China and Europe
  239. Neoclassicism
  240. Romanticism
  241. Realism
  242. Impressionism
  243. Post-Impressionism
  244. Thinking Back
  245. Chapter 20 From 1900 to the Present
  246. Learning Objectives
  247. The New “Isms”
  248. Cubism
  249. Fauvism
  250. German Expressionism
  251. Futurism
  252. Dada and Surrealism
  253. Politics and Painting
  254. American Modernism and Abstract Expressionism
  255. Pop Art and Minimalism
  256. Cross-Fertilization in Contemporary Art
  257. A Plurality of Styles
  258. The Global Present
  259. Revisioning History
  260. Identity, Media, and the Art Market
  261. Thinking Back
  262. Group 5 The Themes of Art
  263. Chapter 21 Spiritual Belief
  264. Learning Objectives
  265. Connecting with Spirits and the Divine
  266. Giving Gods Human Form
  267. Sacred Space
  268. The Kaaba
  269. A Japanese Shrine
  270. The Hindu Pilgrimage Place
  271. The Pilgrimage Church
  272. The Native American Mission Church
  273. Spirituality and Abstraction
  274. Thinking Back
  275. Chapter 22 The Cycle of Life
  276. Learning Objectives
  277. Birth
  278. Youth and Age
  279. Contemplating Mortality
  280. Burial and the Afterlife
  281. Thinking Back
  282. Chapter 23 Love and Sex
  283. Learning Objectives
  284. Physical and Spiritual Love
  285. Sexuality in the Hindu World
  286. Eros and the Idea of Love in Ancient Greece
  287. A Persian Tale
  288. The Medieval Courtly Love Tradition
  289. The Privatization of Sex in the West
  290. Imaging Desire
  291. The Voyeur
  292. An African Festival
  293. Kisses
  294. Thinking Back
  295. Chapter 24 The Body, Gender, and Identity
  296. Learning Objectives
  297. The Body Beautiful
  298. Performance: The Body as Work of Art
  299. Gender and Identity
  300. Constructing Female Identity
  301. Constructing Male Identity
  302. Challenging Gender Identity
  303. Thinking Back
  304. Chapter 25 The Individual and Cultural Identity
  305. Learning Objectives
  306. Nationalism and Identity
  307. National Identity in Europe and America
  308. Native American Tribal History and Identity
  309. National Identity in China and Japan
  310. Class and Identity
  311. Marking Class
  312. Place and Displacement
  313. Racial Identity and African-American Experience
  314. Double Consciousness and the Great Migration
  315. New African-American Identities
  316. Thinking Back
  317. Chapter 26 Power
  318. Learning Objectives
  319. Representing Rulers
  320. Power and Might
  321. The Imperial Gaze
  322. Women and Power
  323. Power, Race, and the Colonial Enterprise
  324. The Power of the Museum
  325. Thinking Back
  326. Chapter 27 Science, Technology, and the Environment
  327. Learning Objectives
  328. Technology and the Arts
  329. Art and Environmental Understanding
  330. Nature and Industry
  331. Environmental Catastrophe
  332. Art, the Environment, and the Longer View
  333. Thinking Back
  334. The Critical Process Thinking Some More about the Chapter Questions
  335. Chapter 1 Andy Warhol’s Race Riot, 1963.
  336. Chapter 2 Two Representations of Treaty Signing at Medicine Lodge Creek.
  337. Chapter 3 Zeus, or Poseidon, ca. 460 bce, and Robert Mapplethorpe’s Lisa Lyon, 1982.
  338. Chapter 4 Isaac Julien’s Ten Thousand Waves, 2010.
  339. Chapter 5 Katharina Grosse’s Cincy, 2006.
  340. Chapter 6 Bill Viola’s Room for St. John of the Cross, 1983.
  341. Chapter 7 Claude Monet’s The Railroad Bridge, Argenteuil, 1874.
  342. Chapter 8 Frank Auerbach’s Head of Catherine Lampert VI, 1979-80.
  343. Chapter 9 Fred Tomaselli’s Airborne Event, 2003.
  344. Chapter 10 Andy Warhol’s Marilyn Monroe, 1967, and San Francisco Silverspot, 1983.
  345. Chapter 11 Jeff Wall’s A Sudden Gust of Wind (after Hokusai), 1993.
  346. Chapter 12 Christo’s Over the River, Project for the Arkansas River, State of Colorado, 2010.
  347. Chapter 13 Institute for Figuring, Crochet Coral Reef project, 2005-ongoing.
  348. Chapter 14 Taos Pueblo, 1000-1450, and Moshe Safdie’s Habitat, 1967.
  349. Chapter 15 Mika Tajima’s A Facility Based on Change, 2011.
  350. Chapter 20 Olafur Eliasson’s The Weather Project, 2003.
  351. Chapter 21 Bill Viola’s The Reflecting Pool, 1977-79.
  352. Chapter 22 Janine Antoni and Stephen Petronio’s Honey Baby, 2013.
  353. Chapter 23 Jan Toorop’s poster for Delftsche Slaolie, 1894.
  354. Chapter 24 Ana Mendieta’s Silueta Works in Mexico, 1973-77.
  355. Chapter 25 Dread Scott’s What Is the Proper Way to Display a U.S. Flag?, 1988.
  356. Chapter 26 Jenny Holzer’s Thorax, 2008.
  357. Chapter 27 David Brooks’s Imbroglios, 2012.
  358. Glossary
  359. Credits
  360. Preface
  361. Chapter 1
  362. Chapter 2
  363. Chapter 3
  364. Chapter 4
  365. Chapter 5
  366. Chapter 6
  367. Chapter 7
  368. Chapter 8
  369. Chapter 9
  370. Chapter 10
  371. Chapter 11
  372. Chapter 12
  373. Chapter 13
  374. Chapter 14
  375. Chapter 15
  376. Chapter 17
  377. Chapter 18
  378. Chapter 19
  379. Chapter 20
  380. Chapter 21
  381. Chapter 22
  382. Chapter 23
  383. Chapter 24
  384. Chapter 25
  385. Chapter 26
  386. Chapter 27
  387. Index

 

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